Thursday, February 22, 2018

The Surface Movie Versus Artistic Film


       Movies are popular. The Ultimate go to source for the escapism. Movies are pretty much the authenticator of all other forms of art. Wait for the movie. Don’t worry about not reading the book, which has led to the overwhelming acceptance that the book is better. As popular and financially stimulating movies are, it’s Film that is, was, and always will be the most underappreciated form of art. At the same time, Film takes 99.1% of the blame for influencing bad behavior and poor ideals on the viewer.

     To be as biased as I possibly can, Film is the quintessential of the art of storytelling. The time invested into novels gives you a comfortable idea that you are submerged in an intellectual artform, but after growing up, reading a variety of literary works, that notion couldn’t be anything further from the truth. Yes, your building within your own imagination but limited to the specific elements the author presents you. Based on your personal imagination, you choose the most relatable pieces of work. Very dictating and shackling novels are, while at the same time never asking you to surrender your ideals or perspectives.

     The same can be said for music and “movies” as well. You ever been to restaurant where the table wasn’t cleaned off all that well. Dry mustard on the smooth soft table. You scrape it off with your index finger and find the hard, crusty, yellowish substance resting in your nail. Then, you go to the bathroom and rinse it off and forget that little experience ever happened to you. That’s pretty much novels, “movies”, and music, where it’s the themes, basic subtext, messages that take the place of the simple crust on the surface. Why would go any deeper than that with being presented something so relatable and comfortable. In all fairness, when it comes to these categories of art, the work is never given to you. Going back to the dry mustard, you can still see the little dry stain left by the spill, the root. You get to the root of any of these works you’ll find Consumerism, Progressivism, Cynicism, Individualism…etc. Which is why, over time, it can become so easy to lose interest, especially in with surface movies getting the most complaints about originality.

     Although I guess I would give surface movies a pass, since the start of the filmmaking industry built its foundation on showmanship. The start of music and novels already had the presence of artist, but as time passed, showmanship became the big thing. Novelty of novels died ever since the purpose of writing a novel was to have it become a movie. You’re not reading literature, your reading a money-making movie script. There are even tips for how to write a novel to have it easily turned into a movie. Ulterior motive has become money. This motive was already in full swing in it’s beginning. Perfect example of a movie made off showmanship, Citizen Kane.

     It wasn’t until years later until an artist entered this domain. The first true artist in film is Sergio Leone. As important as the Western setting was at that time for a showman in John Wayne movies, it is meaningless to Leone who uses it as simply a tool to design a variety of characters.

     Then comes Craven, Carpenter, Coppola, De Palma, Nolan, Lee, Scott, Bigelow the inviters bringing you into their perspectives and ideals which are nothing like yours. Digging through minds of these artist can be strenuous, making this kind of viewing of film the most least route taken. An artist film is when you hear the directors voice through his/her craft of unifying the actors, production designers, sound, light, cinematography, costumes, scripts, meshing it together to give it to you. Authors can never do this. Novels say build your intellectual. Music says listen to message to include in your life. Surface “Movies” say look for messages, themes, and positive imagery to help build your life. A Film says fuck you, get in my head own my unrelatability and tell me what you think.

    








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